Related Paintings of unknow artist :. | European city landscape, street landsacpe, construction, frontstore, building and architecture. 291 | Portrait of shah Tahmasp | Sheep 156 | Stained Glass | Portrait of Joanna of Austria |
Related Artists:
Jules Arsene Garnier
painted Le Droit du Seigneur in1872
Fernand Leger
French Cubist Painter, 1881-1955,was a French painter, sculptor, and filmmaker,Leger was born in the Argentan, Orne, Basse-Normandie, where his father raised cattle. Fernand Leger initially trained as an architect from 1897-1899 before moving in 1900 to Paris, where he supported himself as an architectural draftsman. After military service in Versailles in 1902-1903, he enrolled at the School of Decorative Arts; he also applied to the Ecole des Beaux-Arts but was rejected. He nevertheless attended the Beaux-Arts as a non-enrolled student, spending what he described as "three empty and useless years" studying with Gerome and others, while also studying at the Academie Julian. He began to work seriously as a painter only at the age of 25. At this point his work showed the influence of Impressionism, as seen in Le Jardin de ma mere (My Mother's Garden) of 1905, one of the few paintings from this period that he did not later destroy. A new emphasis on drawing and geometry appeared in Leger's work after he saw the Cezanne retrospective at the Salon d'Automne in 1907. In 1909 he moved to Montparnasse and met such leaders of the avant-garde as Archipenko, Lipchitz, Chagall, and Robert Delaunay. His major painting of this period is Nudes in the Forest (1909-10), in which Leger displayed a personal form of Cubism??his critics called it "Tubism" for its emphasis on cylindrical formsethat made no use of the collage technique pioneered by Braque and Picasso. In 1910 he joined with several other artists, including Delaunay, Jacques Villon, Henri Le Fauconnier, Albert Gleizes, Francis Picabia, and Marie Laurencin to form an offshoot of the Cubist movement, the Puteaux Group??also called the Section d'Or (The Golden Section). Leger was influenced during this time by Italian Futurism, and his paintings, from then until 1914, became increasingly abstract. Their vocabulary of tubular, conical, and cubed forms are laconically rendered in rough patches of primary colours plus green, black and white, as seen in the series of paintings with the title Contrasting Forms. Leger's experiences in World War I had a significant effect on his work. Mobilized in August 1914 for service in the French Army, he spent two years at the front in Argonne. He produced many sketches of artillery pieces, airplanes, and fellow soldiers while in the trenches, and painted Soldier with a Pipe (1916) while on furlough. In September 1916 he almost died after a mustard gas attack by the German troops at Verdun.
Constantin Meunier
(12 April 1831 - 4 April 1905), Belgian painter and sculptor, was born in Etterbeek, Brussels. His first exhibit was a plaster sketch, "The Garland," shown at the Brussels Salon in 1851. Soon afterwards, on the advice of the painter Charles de Groux, he abandoned the chisel for the brush. His first important painting, "The Salle St Roch" (1857), was followed by a series of paintings including "A Trappist Funeral" (1860), "Trappists Ploughing" (1863), in collaboration with Alfred Verwee, "Divine Service at the Monastery of La Trappe" (1871) and episodes of the German Peasants' War (1878). About 1880 he was commissioned to illustrate those parts of Camille Lemonnier's description of Belgium in Le Tour du monde which referred to miners and factory-workers, and produced "In the Factory," "Smithery at Cockerill's," "Melting Steel at the Factory at Seraing" (1882), "Returning from the Pit," and "The Broken Crucible" (1884). In 1882 he was employed by the government to copy Pedro de Campaña's "Descent from the Cross" at Seville, and in Spain he painted such characteristic pictures as "The Cafe Concert," "Procession on Good Friday," and "The Tobacco Factory at Seville" (Brussels Gallery). On his return to Belgium he was appointed professor at the Louvain Academy of Fine Arts. In 1885 he returned to statuary and produced " The Puddler," "The Hammerer" (1886), "Firedamp" (1889, Brussels Gallery), "Ecce Homo" (1891), "The Old Mine-Horse" (1891), "The Mower" (1892), "The Glebe" (1892), the monument to Father Damien at Louvain (1893), "Puddler at the Furnace" (1893), the scheme of decoration for the Botanical Garden of Brussels in collaboration with the sculptor Charles van der Stappen (1893), "The Horse at the Pond," in the square in the north-east quarter of Brussels, and two unfinished works, the "Monument to Labour" and the Zola monument, in collaboration with the French sculptor Alexandre Charpentier. The "Monument to Labour," which was acquired by the State for the Brussels Gallery, comprises four stone bas-reliefs, "Industry," "The Mine," "Harvest," and the "Harbour"; four bronze statues, "The Sower" "The Smith" "The Miner," and the "Ancestor"; and a bronze group, "Maternity". Meunier died at Brussels on 4 April 1905. Constantin Meunier was a freemason, and a member of the lodge Les Amis Philanthropes of the Grand Orient of Belgium in Brussels. He was one of the cofounders of the Societe Libre des Beaux-Arts of Brussels. In 1939, a museum dedicated to him was opened in the last house in which Meunier lived and worked, in Ixelles. Today about 150 of his works are displayed there.